German roots, Texas towns, Bad Bunny, and why culture should build bridges... not walls.
Growing up in Wisconsin, I never really questioned where our traditions came from. They were just… there. The family farm sat next to the village of Germantown. Summer festivals meant polka bands and beer gardens. Oktoberfest season brought accordion-heavy songs I sometimes couldn’t understand but somehow knew by heart. German last names were everywhere. Sauerkraut and brats showed up at community picnics like they’d always belonged.
Only later did I realize how much of that was inherited. Chosen. Carried forward.
My great grandparents and their parents before them moved to Wisconsin for land and opportunity. They brought pieces of home with them. The music. The food. The dances. The way you gather. The way you celebrate. Those traditions weren’t relics. They were anchors. Ways to build community in a new place without losing yourself in the process.
When I moved to Austin years later, I didn’t expect that same feeling to resurface. But it did.
Out in the Hill Country, I started to recognize familiar rhythms. The beer gardens in Fredericksburg. The beer halls in New Braunfels. Places like Naeglin’s Bakery, the oldest bakery in Texas, still turning out recipes rooted in German tradition. Gathering spots like Krause’s Beer Hall, where music, food, and long communal tables invite you to stay a little longer than originally planned.
There’s comfort in that familiarity. A small echo of Wisconsin showing up in Texas. And it made sense. These towns were settled by German immigrants who did exactly what my ancestors had done further north: they built community, and they held onto what mattered.
Even though I took a couple years of German in high school, have almost a half-century of polka band and Oktoberfest listening under my belt, I still know less than five percent of the words in most of those Oktoberfest songs.
But the music still lands.
Because music doesn’t require fluency. It carries feeling. Pride. Memory.
Maybe it runs deeper than I realized. Both of my kids’ grandpas are musicians. I used to play a pretty mean tuba. My wife and I had a legit Oktoberfest band, Die Freistadt Alte Kameraden Band, play at our wedding reception in Wisconsin. The sound wasn’t just entertainment. It was a connection to something special.
So when I drive through small towns outside Austin and stumble onto an outdoor beer garden with a polka band tucked into the corner, something in me relaxes. The music. The culture. The traditions. They connect me to a sense of home, even when home has shifted.
All of that sat with me this week as I scrolled through the wide range of reactions to the Super Bowl halftime show.
The frustration. The disappointment. The anger from some who couldn’t understand a single word because it wasn’t in English. And beneath that, in too many cases, frustration rooted in something deeper and uglier, amplified by the current political climate.
I’ll admit, I felt moments of cluelessness too. Not only because of the language barrier, but because I’m not exactly hip to the latest pop stars. And sadly, I’ve also been unsuccessfully trying to learn Spanish on Duolingo for over three years now.
But to be clear, I thought the halftime performance was incredible.
Bad Bunny captivated me. The production. The energy. The pride. It felt like a window into the love someone with roots in Puerto Rico feels for their culture, and the connection people still living there hold just as tightly. I could feel the intention behind it. The care and the joy.
I couldn’t help but think about friends and neighbors of ours with Puerto Rican roots, and how proud they must have felt watching that moment unfold. I especially thought of my sister in law who holds Puerto Rico so close to her heart. I even felt a little bummed this was the year we didn’t have friends over for the Super Bowl, since our one friend that comes over is from Puerto Rico.
This year especially, the halftime show has become more than entertainment. It’s a cultural moment that has drawn enormous attention to the NFL. And this year, it also revealed something uncomfortable.
Something that should have been a celebration of yet another thread in the American fabric became another point of division.
That breaks my heart.
Because music is one of the few things humans have that’s supposed to transcend language. It’s meant to communicate feeling when words fall short. Dance, rhythm, melody, they connect us before we ever understand lyrics. And yet here we were again, taking something uniquely human and using it to separate neighbors instead of bring them together.
We forget this sometimes, but almost all of our musical traditions in the U.S. are rooted somewhere else. Different languages. Different histories. Different struggles. Different celebrations.
Everyone is from somewhere.
Some of my neighbors here in Austin have roots that run deep in Texas. Others have only lived here a couple of years. Some trace their family history back centuries on this land. Others arrived recently, carrying pieces of home they’re still figuring out how to plant.
That sense of community and respect for others is why I’ve felt such a strong connection to the Texas Forward Party and its values-driven approach, and why I decided to get more involved last year. The more I listen to friends and neighbors talk about what feels missing right now, the more I hear the same refrain: love your neighbor. It’s an old idea for a reason. Respect, grace, and tolerance are still some of the most powerful tools we have for bringing people together.
Culture, history, and tradition shouldn’t be weapons. They should be bridges. They should work the way music and food always have, inviting people in, not pushing them away.
To be honest, I doubt I’ll ever be a die hard Bad Bunny fan. It’s not going to be my everyday jam. But then again, not so long ago, the youth of another generation were told their music was the devil’s music. The dancing too suggestive. The artists immoral. The language improper.
The kids revolted anyway. They kept dancing. They kept singing.
And to this day, the one artist, the one who was once considered the worst, the king of hip swinging scandal, is adored by millions and still the King of Rock and Roll to my dad.
As a parent, I want my kids to inherit more than just traditions. I want them to inherit perspective. To know where they come from, and to be curious about where others come from too.
Because everyone is from somewhere. And if my kids can grow up grounded in their roots while staying open to new rhythms, languages, and stories, then they’ll carry forward the kind of community spirit that makes places feel like home.
Family first. Neighbors first. Humanity first.
Rooted in Wisconsin. Growing forward in Texas.
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